Wednesday, July 24, 2013

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Jul 24th 2013, 19:15



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Jul 24th 2013, 19:00



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Jul 24th 2013, 00:04



Godzilla vs. Megaguirus is the 24th overall films in the Godzilla franchise and the 3 millennium series. This one just like ignores all previous films except the original and Rodan. Not that Rodan is in this movie because he isn't but some prehistoric dragonflies which were in that also made it to this one. I told you continuity is all over the place for these later movies right? Also I have officially reviewed more of these movies then James bond movies even exist so that should tell you what my movie collection looks like. As far as the millennium series goes this is a really good one. I am not a huge fan of the millennium series as a whole because they don't really add much. But this one handled the normal formula with a bit of gusto and I found it surprising. the release ofproved that traditional Godzilla films failed to attract huge crowds of moviegoers, so plans to give any newer Godzilla films a wide release were scrapped a trend that continued for the rest of the millennium series.



An experimental satellite-based weapon that fires miniature black holes, called the Dimension Tide, opens a wormhole through which a prehistoric dragonfly enters the present and deposits a single egg before exiting through the wormhole. The egg, actually a mass of hundreds of eggs, splits up and starts growing when exposed to water, hatching into large dragonfly larva called Meganulon that come out of the sewer to feed. They flood a portion of the city and molt on the sides of buildings, becoming adult Meganula. Godzilla has reappeared in search of nuclear energy and encounters the anti-Godzilla team testing out new weapons and flying crafts. During the melee a million little dragonflies attack and take some of Godzilla's DNA. The DNA transforms one of them into a giant able to take on Godzilla. The rest of the moviecan you guess? A three way fight for Tokyo between the monsters and the Japanese defense force.



The characterization is really good everyone feels like a real person and the sets look lived in, lacking the cheapness of the previous film. I like all the characters a lot Misato Tanaka as Kiriko Tsujimori and Shosuke Tanihara as Hajime Kudo are particular standouts and probably the most interesting pair to make it into these films in a while. There is a lot of cameos form people cast in old Showa era films in this movie that only a true Godzilla nerd would catch. The special effects in this movie are great. The soldier's pilot a ship called Gryphon that looks really interesting. Godzilla has a redesign I find appealing although he does walk a little slow but I guess he is almost 50 years old at this point. The other monster looks a little cheap in comparison but their final fight is worth it. Remember all those people complain about Godzilla being killed in the Matthew Broderick Godzilla? Well Godzilla is also killed in this one by dropping a black hole bomb on him. It's a really well done scene full of emotion. Oh yeah also almost all of Tokyo is destroyed it maximizes the audience investment by carefully showing all the devastation.



This one is definitely worth checking out in comparison to the other ones to come out of the millennium series. The effects are better than the last movie and even though continuity is all over the place random. The pacing is good you never feel out of breath but you never feel bored like some other Godzilla films. The music is compelling matching each scene perfectly. It strikes a good balance of brawl and emotion that monster films all strive for. Plus the final shot of Godzilla is heartbreakingly awesome.



Jul 24th 2013, 00:04



I'm sure there were movies about "the dark under belly of the suburbs" before The Ice Storm, but since it there seems to be an endless parade of movies about how the most functional and drab of all places is actually a repressed landscape of cultural crassness and sexual promiscuity. Add in adolescent sexuality and someone having premature ejaculation and you seem to have every suburban domesticated drama of the past 20 years. That said however this is a wonderful movie, for rising above MOST of the genre clich 's. That and Christina Ricci pulls of an awesome performance as the curious nymphet of the picture, this a few years before she became the staple of cynical femininity. Thank God for Criterion for releasing this film for showcasing Sigorney Weaver, who shines in a world far far removed from her Aliens role. The plot rolls along nicely with a few touches and nuances that would have slipped past a lesser film.



A maelstrom of repressed emotions and sexual desires are let loose in this beautifully restrained drama, a gem that glimmers with surreal originality and delicate poise; it's not easy to describe the slightly dreamy experience of watching it, but there's something so meticulous and striking about every shot and every expression that you can't help admiring the craft that must have gone into its making. And it must have been considerable, with Lee perfectly recreating both the look and the feel of the '70s, in everything from the clothes to the slightly grainy film used. All in all, it's a stunning creation, perceptive and heartbreaking, made all the more fascinating when you realise this tragically accurate slice of Americana was made by a foreigner. Perhaps too restrained and slow for some- but all should be able to admire the stunning artistry on display.



The Ice Storm is a film that presents its audience with perspectives of family life and adolescence that we rarely see in film. There is no sugarcoating in this movie. The film takes place in New Canaan, a wealthy town in Fairfield County. The story for the most part follows two families, each with two children about high school age. The kids do drugs, have sex at a young age, and are overall confused and unguided by their parents. The parents engage in spousal trades and secret affairs. Tension builds until the closing of the film when Mikey gets electrocuted to death outside in the storm. Now lets back up and talk about morality and symbolism in The Ice Storm. The film does end a bit too quick but it also proves that life doesn't stop after a tragedy or disaster. The tile ice storm has a big connection with the theme of the story and it's made the movie perfect.



This particular movie was very heartfelt to me, even though the characters didn't seem sane or normal they move you in a different way which causes you to sympathize for them and even care about them. You almost want to reach out and save them from themselves and from each other. The characters seemed so unreal but yet believable enough that you can interpret the characters and compare them with a member of your own family. The roles that they play are very sad but affecting in a strong way because it makes you wonder about human nature and our race itself. People are exceptional and intense but our actions aren't always explainable. The movie is well crafted, the symbolic meanings behind the cold, bleak and almost fearful weather and atmosphere and also the close comparison between the comic book characters to the real family are overwhelming when you actually give yourself a chance to take it all in and consume it in your mind.The movie made me think about family values in a new light. You realize that there are many dysfunctional and imperfect families, and after watching this movie there is a desire to reach out to your own family and respectfully show them your devotion and unconditional love. The movie was amazing in a way that it makes you realize how powerful communication and affection is within a family because without it, a strong solid family unit can be sadly and painfully torn apart.



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